Au fost anunțate nominalizările pentru premiile Academiei de Film Americane (ediția 97), cunoscute popular drept Premiile Oscar din 2025. Printre filmele care se vor lupta pentru premiul cel mai mare se numără Anora, The Brutalist, Dune: Part Two, Wicked și The Substance, filme care au fost constant în atenția publicului și criticilor în ultimul an. Actori precum Adrien Brody, Timothee Chalamet sau românul Sebastian Stan sunt nominalizați pentru categoria „cel mai bun actor în rol principal”, în timp ce Demi Moore, Mikey Madison și Cynthia Erivo concurează la categoria „cea mai bună actriță în rol principal. Premiile vor fi decernate oficial pe data de 2 martie (3 martie ora 2:00 a României) și vor fi transmise live la TV în SUA.
Cel mai bun film
- “Anora,” (Neon) Alex Coco, Samantha Quan and Sean Baker, Producers
- “The Brutalist” (A24)
- “A Complete Unknown” (Searchlight) Fred Berger, James Mangold and Alex Heineman, Producers
- “Conclave” (Focus Features) Tessa Ross, Juliette Howell and Michael A. Jackman, Producers
- “Dune: Part Two” (Warner Bros.) Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers
- “Emilia Pérez” (Netflix)
- “I’m Still Here” (Sony Pictures Classic)
- “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- “The Substance” (MUBI)
- “Wicked” (Universal) Marc Platt, Producer
Cel mai bun regizor
- Sean Baker, “Anora”
- Brady Corbet “The Brutalist”
- James Mangold, “A Complete Unknown”
- Jacques Audiard, “Emilia Pérez”
- Coralie Fargeat, “The Substance”
Cel mai bun actor în rol principal
- Adrien Brody, “The Brutalist”
- Timothée Chalamet, “A Complete Unknown”
- Colman Domingo, “Sing Sing”
- Ralph Fiennes, “Conclave”
- Sebastian Stan, “The Apprentice”
Cea mai bună actriță în rol principal
- Cynthia Erivo, “Wicked”
- Karla Sofía Gascón, “Emilia Pérez”
- Mikey Madison, “Anora”
- Demi Moore, “The Substance”
- Fernanda Torres, “I’m Still Here”
Cel mai bun actor în rol secundar
- Yura Borisov, “Anora”
- Kieran Culkin, “A Real Pain”
- Edward Norton, “A Complete Unknown”
- Guy Pearce, “The Brutalist”
- Jeremy Strong, “The Apprentice”
Cea mai bună actriță în rol secundar
- Monica Barbaro, “A Complete Unknown”
- Ariana Grande, “Wicked”
- Felicity Jones, “The Brutalist”
- Isabella Rossellini, “Conclave”
- Zoe Saldaña, “Emilia Pérez”
Cel mai bun scenariu adaptat
- “A Complete Unknown”, Screenplay by James Mangold and Jay Cocks
- “Conclave,” Screenplay by Peter Straughan
- “Emilia Pérez,” Screenplay by Jacques Audiard in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
- “Nickel Boys,” Screenplay by RaMell Ross & Joslyn Barnes
- “Sing Sing,” Screenplay by Clint Bentley, Greg Kwedar, Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield
Cel mai bun scenariu original
- “Anora,” Written by Sean Baker
- “The Brutalist,” Written by Brady Corbet, Mona Fastvold
- “A Real Pain,” Written by Jesse Eisenberg
- “September 5,” Written by Moritz Binder, Tim Fehlbaum, Co-Written by Alex David
- “The Substance,” Written by Coralie Fargeat
Cel mai bun scurtmetraj de animație
- “Beautiful Men,” (Miyu Distribution) Nicolas Keppens and Brecht Van Elslande
- “In the Shadow of Cypress,” Shirin Sohani and Hossein Molayemi
- “Magic Candies,” (Toei Animation) Daisuke Nishio and Takashi Washio
- “Wander to Wonder,” ” (Miyu Distribution) Nina Gantz and Stienette Bosklopper
- “Yuck!” (Miyu Distribution) Loïc Espuche and Juliette Marquet
Cele mai bune costume
- “A Complete Unknown,” Arianne Phillips
- “Conclave,” Lisy Christl
- “Gladiator II,” Janty Yates and Dave Crossman
- “Nosferatu,” Linda Muir
- “Wicked,” Paul Tazewell
Cel mai bun scurtmetraj de acțiune live
- “A Lien,” Sam Cutler-Kreutz and David Cutler-Kreutz
- “Anuja,” Adam J. Graves and Suchitra Mattai
- “I’m Not a Robot” (The New Yorker) Victoria Warmerdam and Trent
- “The Last Ranger,” Cindy Lee and Darwin Shaw
- “The Man Who Could Not Remain Silent” (Manifest) Nebojša Slijepčević and Danijel Pek
Cel mai bun machiaj și cea mai bună coafură
- “A Different Man,” Mike Marino, David Presto and Crystal Jurado
- “Emilia Pérez,” Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini
- “Nosferatu,” David White, Traci Loader and Suzanne StokesMunton
- “The Substance,” Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli
- “Wicked,” Frances Hannon, Laura Blount and Sarah Nuth
Cea mai bună coloană sonoră originală
- “The Brutalist,” Daniel Blumberg
- “Conclave,” Volker Bertelmann
- “Emilia Pérez,” Clément Ducol and Camille
- “Wicked,” John Powell and Stephen Schwartz
- “The Wild Robot,” Kris Bowers
Cel mai bun film de animație
- “Flow” (Sideshow/Janus Films)
- “Inside Out 2” (Walt Disney) Kelsey Mann and Mark Nielsen
- “Memoir of a Snail” (IFC Films) Adam Elliot and Liz Kearney
- “Wallace & Gromit: Vengeance Most Fowl” (Netflix)
- “The Wild Robot” (Universal) Chris Sanders and Jeff Hermann
Cea mai bună imagine
- “The Brutalist,” Lol Crawley
- “Dune: Part Two,” Greig Fraser
- “Emilia Pérez,” Paul Guilhaume
- “Maria,” Ed Lachman
- “Nosferatu,” Jarin Blaschke
Cel mai bun film documentar
- “Black Box Diaries” (MTV Documentary Films) Shiori Ito, Eric Nyari and Hanna Aqvilin
- “No Other Land,” Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham
- “Porcelain War” (Picturehouse) Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen
- “Soundtrack to a Coup d’Etat” (Kino Lorber) Johan Grimonprez, Daan Milius and Rémi Grellety
- “Sugarcane” (National Geographic Documentary Films)
Cel mai bun scurtmetraj documentar
- “Death by Numbers” Kim A. Snyder and Janique L. Robillard
- “I Am Ready, Warden” (MTV Documentary Films) Smriti Mundhra and Maya Gnyp
- “Incident” (The New Yorker) Bill Morrison and Jamie Kalven
- “Instruments of a Beating Heart” (The New York Times OpDocs/Cineric Creative) Ema Ryan Yamazaki and Eric Nyari
- “The Only Girl in the Orchestra” (Netflix) Molly O’Brien and Lisa Remington
Cel mai bun montaj
- “Anora” Sean Baker
- “The Brutalist” David Jancso
- “Conclave” Nick Emerson
- “Emilia Pérez” Juliette Welfling
- “Wicked” Myron Kerstein
Cel mai bun film internațional
- “I’m Still Here,” Brazil
- “The Girl with the Needle,” Denmark
- “Emilia Pérez,” France
- “The Seed of the Sacred Fig,” Germany
- “Flow,” Latvia
Cel mai bun cântec original
- “El Mal” from “Emilia Pérez,” Music by Clément Ducol and Camille, Lyric by Clément Ducol, Camille and Jacques Audiard
- “The Journey” from “The Six Triple Eight,” Music and Lyric by Diane Warren
- “Like a Bird” from “Sing Sing,” Music and Lyric by Abraham Alexander and Adrian Quesada
- “Mi Camino” from “Emilia Pérez,” Music and Lyric by Camille and Clément Ducol
- “Never Too Late” from “Elton John: Never Too Late,” Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin
Cea mai bună scenografie
- “The Brutalist,” Production Design: Judy Becker, Set Decoration: Patricia Cuccia
- “Conclave,” Production Design: Suzie Davies, Set Decoration: Cynthia Sleiter
- “Dune: Part Two,” Production Design: Patrice Vermette, Set Decoration: Shane Vieau
- “Nosferatu,” Production Design: Craig Lathrop, Set Decoration: Beatrice Brentnerová
- “Wicked,” Production Design: Nathan Crowley, Set Decoration: Lee Sandales
Cel mai bun sunet
- “A Complete Unknown,” Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco
- “Dune: Part Two,” Gareth John, Richard King, Ron Bartlett and Doug Hemphill
- “Emilia Perez,” Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta
- “Wicked,” Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis
- “The Wild Robot,” Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts
Cele mai bune efecte speciale
- “Alien: Romulus,” Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan
- “Better Man,” Luke Millar, David Clayton, Keith Herft and Peter Stubbs
- “Dune: Part Two,” Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer
- “Kingdom of the Planet of the Apes,” Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke
- “Wicked,” Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould
